Angelique's Portrait

Dan Curtis gave me this portrait after the Dark Shadows movie was over, and I have kept it ever since. It hangs in my house at the bottom of the stairs.

Many people have said they would like to buy it. Almost every year, before the festival, I have considered bringing the portrait to sell at the auction. That way I could give the money to charity. But I have always changed my mind at the last minute. Just can't let it go. Then the people at Lyndhurst asked for a copy, and I had one made.

Now that it has been scanned, I have offered copies for sale, and I have received many orders. Why are they so expensive you ask? I wonder that myself. The Giclee process is costly, the expensive digital printer, the canvas it is printed on, the huge amount of ink to get the perfect copy. And it is perfect, down to every detail.

Of the three sizes, the largest is the same as the original, but the medium size is nicer for homes. After paying for the print, picking it up in Santa Monica, packing it and mailing it with insurance, I make about $10. Just so you know.

I wish you could meet the printer. He is a little Russian man over eighty years old with a small studio and this big Giclee printer. Every time I give him another order he is gracious and grateful.

New Merchandise

I wanted to let you all know I've decided to make copies of my Angelique portrait from Night of Dark Shadows available to buy. I recently had the original scanned to send a copy to Lyndhurst for their Halloween celebration and it's been on display there throughout October.

The quality of these replica prints is superb. When reprinted on canvas using the Giclee process, they are identical to the original and look like a real oil painting. For more information and ordering details, visit the Store.

Night of Dark Shadows has just been released on DVD and Blu-Ray and is now in stores, along with the Johnny Depp Dark Shadows movie. Look out for them!

A Recent Chat

Here's an interview I did last month for the Dark Shadows News Page, discussing the Dark Shadows movie and my new novel, Wolf Moon Rising...

So Lara, what was your reaction when you heard that Dark Shadows was heading to the big screen?
I never thought it would get made – I was so pessimistic. This is a reinterpretation, and I feel – with all humility – that it's to Dark Shadows' credit that someone can find a new way of doing it. That's what we did on the original show – we reinvented things like Dracula and Turn of the Screw and Dorian Gray...

Do you think this film is still Dark Shadows as we know it?
When I was on the set, seeing what was going on, I could tell that the tone was significantly different. I had misgivings, I’ll admit. I thought hopefully it would be OK, but it could be a real bomb. But then I saw the first trailer and was kinda taken with it! It's an homage – it's a recognition of the value of the original material, to have made Tim Burton's imagination take off with it the way it has.

Director Tim Burton has spoken a lot about wanting to capture the 'vibe' of the original show. What do you take that to mean?
I've been asked so many times what I think was the most distinguishing characteristic of the TV show, and I think it was that the acting was realistic. Now that's not true of everyone... There were some more arch performances – people like Grayson [Hall] (Julia Hoffman) and Chris Pennock (Jeb Hawkes) – but for the most part, we played it with conviction. We were encouraged to be believable, so when a bat came in the room – and it was a Halloween toy dangled by some anxious prop man – there was no question of rolling our eyes or letting the audience in on the joke. It was played with total conviction. So here were all these absurd situations – telling ghosts to go back to their graves – but played with total conviction. That gave Dark Shadows its tone. I think audiences are smarter than they used to be. Tim Burton is letting the audience in a little more on that joke.

Angelique Overseas

Hey, everybody! As amazing as it seems, ANGELIQUE'S DESCENT has gone global! The covers are as varied as the cultures where the books have been published. Different people have different interpretations, and they have even given the books new titles. Should I care? No. I'm thrilled they have translated the text, all 428 pages, and sent the book off to find new fans! This is all part of the Dark Shadows legacy. Is there a lesson here about re-imagining and re-invention?

Shown below are covers for France – La Malediction D'Angelique (The Curse of Angelique); England (ebook format); Italy – La Maledizione di Angelique (The Curse of Angelique); Poland – Mroczne Cienie: Narodziny Angelique (Gloomy Shadows: Birth of Angeliuque); Brazil – Sombras da Noite: A Queda de Angelique (Shadows of the Night: The Fall of Angelique); Hungary – Angelique Hagyatéka (Angelique's Inheritance). Click on the images to see larger views.

Criticism of the Dark Shadows Movie

Beware that the voice of the critic should drown out the poet’s.

Here’s a quote from Laurence Sterne:

“Of all the cants which are canted in this canting world—though the cant of hypocrites may be the worst—the cant of criticism is the most tormenting.”
                                  Tristram Shanty, vol. 3 chapt 12.

There have been a lot of reviews of the Burton/Depp movie, some bad, some so-so, some good. Irate fans have felt compelled to post everything negative they can find in a furious effort to vent their frustration after watching a movie that was different from the show.

But . . .

Critics are self-indulgent wordsmiths, and what they write is “writing” just like any other. They want to turn a phrase. They want to be witty and clever, and they want to show the world how perceptive and articulate they are. There are many more negative words in their vocabulary than positive ones.

I love this definition:

“A critic is a person who goes out on the battlefield after the battle is over and shoots the wounded.”

It is appalling to me that someone who has never created a work of art can sit for half an hour in front of his computer and verbally demolish a year of another creative person’s life while blithely dismissing all the toil that went into it.

A critic is someone who can't make art, but who loves to show the world he would have been wonderful at it—if only he could!

Both the New York Times and The New Yorker praised the film and Burton’s magical touch. Those are the only two reviews I care about because they are the smartest critics out there.

Those fans who are disappointed should remember that the show they loved inspired a major motion picture with first class talents. Because of the movie, Dark Shadows will live another day, another year, another decade. Because of all the renewed interest, the DVDs have been reissued, the two films will be reissued, my books were reissued, Kathryn has written another book that is selling extremely well along with all her others, and Dark Shadows will not fade away. The legacy has been resurrected one more time.

This movie is another brilliant chapter in the history of our show. It does not replace it or erase it. It enhances it and celebrates it.

Those who feel the movie dishonored, denigrated or disrespected the TV show should keep in mind that the greater success the film enjoys, the longer the legacy will last. To excoriate the film is a bad move, no matter how you feel. If you want to see Dark Shadows remain on the cutting edge of pop culture, you should come from love and find things to praise, and there are many.

I suggest we begin a list of the things we liked, or loved, instead of concentrating on the elements we felt were unnecessary or unsuccessful.

Here’s mine:

Please add to it!

Things I liked in the movie:

The entire opening sequence with the sailing schooner in the mist.

The two children looking at one another.

Johnny Depp’s precise diction, and his deep melodious voice.

Barnabas standing in front of the Great House at Collinwood, hand on hip.

The entire town of Collinsport rebuilt, including the harbor. Wow!

“Nights in White Satin” over the titles.

“He’s coming!”

The grand foyer of Collinwood with the giant staircase, the carved mermaids and the chandelier.

Johnny Depp’s long (Edward Scissorhands) fingernails and his Nosferatu make-up, a tongue-in-cheek film reference and a reincarnation of the earliest film vampire.

Eva Green’s red dress!!! Her red fingernails, her red Barracuda, her red panties, and her red lips!

Johnny Depp sitting up straight and proper on a bean bag chair talking to Carolyn.

Chloe Moretz dancing stoned to Season of the Witch.

Johnny Depp’s tender, touching, bewildered, romantic performance as Barnabas.

Alice Cooper rocking out as only he can. The line, “The ugliest woman I have even seen.”

The “fab four” appearing at the door.

Johnny Depp hanging from the light fixture and sleeping in the linen closet.

Michelle Pfeiffer’s pale matriarch, glimmering with heartbreak.

Helena Bonham Carter’s American (!) accent. Gully McGrath’s soulful boy child.

Angelique’s and Barnabas’s gravity-defying sex scene.

Angelique’s face cracking like an eggshell.

Elizabeth with her shotgun.

Johnny Depp’s elegant, dead-pan delivery.

The statue coming to life and grabbing Barnabas.

Julia waking up as a . . . wait a minute. Wasn’t that in THE SALEM BRANCH?

A Story For the Fans

So . . . a boy falls in love with a lovely, serious and soulful young girl. It is their time of innocence and discovery. Their lives are made whole by their devotion to one another, and so they marry. For five years their happiness is complete, and every day brings a new episode of delight. Then, sadly, she goes away.

The boy grows older but never finds another to compare to his beloved. He visits their old haunts and keeps pictures of her on his wall. He watches the home movies they made together over and over. He keeps her memory alive in his heart.

Then when he is much older, more cynical and less easily impressed a vibrant young woman falls in love with him, and she wants to become his wife. She is laughing, elegant, wickedly witty. But she is very different from his first love. When he is with her he can only see those differences, and not the charms she is offering to him, and he says to her, “No, I cannot marry you. You are not serious. You are not soulful. Because you are not like her, I cannot love you.”

And he misses his chance for happiness a second time.

In Cinemas Now

The new Dark Shadows movie from Tim Burton is now in cinemas everywhere and includes a cameo scene featuring Jonathan Frid, David Selby, Kathryn Leigh Scott and myself. Please go and see the movie and keep an open mind.

I've watched it twice and, I loved it both times. Eva Green is gorgeous and Johnny Depp creates a new and memorable Barnabas. It's gloriously entertaining and lavishly filmed. Enjoy it as another chapter in the Dark Shadows legacy, adding to the joy we have all shared.

To celebrate the release, I've added some new autographed pictures from the filming to the Online Store. Take a look!